Editor’s Pick: Cities Of The World

The Bastard Of Istanbul by Elif Shafak

Imagination was a dangerously captivating magic for those compelled to be realistic in life, and words could be poisonous for those destined always to be silenced.

That was the one thing about the rain that likened it to sorrow: You did your best to remain untouched, safe and dry, but if and when you failed, there came a point in which you started seeing the problem less in terms of drops than as an incessant gush, and thereby you decide you might as well get drenched.

In other parts of the world, a downpour will in all likelihood come as a boon for
nearly everyone and everything-good for the crops, good for the fauna and the flora, and with an extra splash of romanticism, good for lovers. Not so in Istanbul though. Rain, for us, isn’t necessarily about getting wet. It’s not about getting dirty even. If anything, it’s about getting angry… It angers us all when the sky opens up and spits on our heads.



The Catcher In The Rye by J. D. Salinger

It was so quiet and lonesome out, even though it was Saturday night. I didn’t see hardly anybody on the street. Now and then you just saw a man and a girl crossing a street, with their arms around each other’s waists and all, or a bunch of hoodlumy-looking guys and their dates, all of them laughing like hyenas at something you could bet wasn’t funny. New York’s terrible when somebody laughs on the street very late at night. You can hear it for miles. It makes you feel so lonesome and depressed. 

Among other things, you’ll find that you’re not the first person who was ever confused and frightened and even sickened by human behavior. You’re by no means alone on that score, you’ll be excited and stimulated to know. Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of their troubles. You’ll learn from them—if you want to. Just as someday, if you have something to offer, someone will learn something from you. It’s a beautiful reciprocal arrangement. And it isn’t education. It’s history. It’s poetry.

The Veiled Suite by Agha Shahid Ali

I think of Zafar, poet and Emperor
Being led through this street
By British soldiers, his feet in chains,
To watch his sons hanged.

In exile he wrote,
Unfortunate Zafar
Spent half his life in hope,
The other half waiting.
He begs for two yards of Delhi for burial.

My grandfather’s painted grandfather,
son of Ali, a strange physician
in embroidered robes, a white turban,
the Koran lying open on a table beside him.

I look for prayers
in his eyes, for inscriptions
in Arabic.
I find his will:
He’s left us plots
in the family graveyard.

I won’t tell your father you have died, Rizwan,
but where has your shadow fallen, like cloth
on the tomb of which saint, or the body
of which unburied boy in the mountains,
bullet-torn, like you, his blood sheer rubies
on Himalayan snow?

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